Across the Libyan Wasteland (DEMO)

from by Sartoraaus

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  • Compact Disc (CD) + Digital Album

    Jewel Case with 4 panel insert; Cover-art by Mohd Shahrom; insert art by R.T.; additional ancient art by unknown artists; comes with sticker insert and storyline brochure (while supplies lasts)

    Includes unlimited streaming of Eclipsing Sartoraaus: Book One via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    edition of 100 

      $10 USD or more 

     

  • T-Shirt/Apparel + Digital Album

    Artwork by Roberto Toderico (front only, white on black)

    Includes unlimited streaming of Eclipsing Sartoraaus: Book One via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    edition of 7 

      $10 USD or more 

     

about

a questing Magnus and Enoch are guid’d across the desert by Set Salii:

“The blue crystal of Enoch’s staff illuminates the dark corridor leading us through splinter’d hallways, to the mouth of the catacombs, which are mark’d by a vault’d, steel door at the base of Mt. Naraka and with a simple wave of Enoch’s crystal staff, the 10 ton door slowly swings open as the clicks and clanks echo throughout the maze of black tunnels behind us…we emerge to find a strange landscape of jagg’d rocks broken by flowing lava cutting through the black earth stretch’d out before the great mountain…Enoch continues his lessons and speaks of a most cunning creature:”

“…in secret, Azazel approach’d his mentor Semjâzâ with Gadreel in his wake and cleverly suggest’d that by improving her divine design with the concept of time, Asherah admitt’d imperfection and free-will should be expand’d to the Hayyot HeKodesh and the Watchers could help blur the line between human and Hayyot HeKodesh…in his youth, Semjâzâ’s wit fail’d against the methods of the master manipulator; the great deceiver, Azazel…Semjâzâ influenc’d those fall’n Hayyot HeKodesh to take human wives and begin to lay their se’d during the time of Lamech, son of Methuselah and father of Noah, who was the great uncle of Set, Kane, and Able…the Titans brought with them divine knowledge; Peng Zu of China’s Yin Dynasty, Nestor the Argonaut, and the clairvoyant of Ancient Thebes, Tiresias all had empires, which flourish’d under the tyranny of their drunken desire…”

they finally reach the end of the black earth, which is met with a vast desert of white sand…endless twilight reflects small crystals with color…there, at the desert’s border, atop a pile of red boulders, waiting for them was a Nephilim using a small, silver dagger to skillfully carve a wooden Cerebus as the carvings pile up at his feet; his silver belt-buckle is engrav’d with the symbol of Mars and a necklace of bone fragments dangles across the chest of his leather vest; spik’d gauntlets decorate his forearms and his face is paint’d white and blue – his eyes burn red as they peer out from behind the bangs of his long black hair, otherwise pull’d beneath an apex hat and Enoch warns to not look directly into his crimson eyes…he puts away his sculpture and recovers an iron mask for our protection…he bows as Enoch introduces him as Salii of the Dorado/Mensa Galaxy, husband to Eden’s Eve, and king of the desert planet Horus…

lyrics

(lost)

credits

from Eclipsing Sartoraaus: Book One, released January 1, 2017
Set Salii & Semjâzâ performed by Lord Matzigkeitus, music & production performed by Orpheus of Wood Rot Records

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Sartoraaus San Antonio, Texas

A non-symphonic black metal opera, which chronicles the epic tales of the great hero Magnus within She'ol...the battle between the Titans and their conflicted sons: the Nephilim, rages on

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